Enough, Enough Now: Part 2

Happiness is a choice.

*

That sentence is easy to state. Easily stated by the person who thought of that. It is definitely a choice, but you should need to make the choice to be happy. Else, that sentence is just a collection of sequenced words. For some, the meaning of that sentence is obvious; we can relate to to it; and we can make it our own. For others, it’s a process: of discovery.

For some it may be a straight road; for others it is a convoluted journey over mountains, through rivers, and across valleys, discovering what choices we have. Choices are seldom evident. Choices don’t always present themselves as choices. They often take the garb of experiences, and then it is not just a job of choosing. You have to live through the experiences. Only then we realise what that camouflaged choice means. We run the risk of romancing the experience – and then, it is no more a choice.

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Deeper and deeper in the experience we go. We become the experience and the experience becomes us. And somewhere, in this, the top stops spinning. (Shout out to Inception (2010)). Whether you exit, depends on whether you see it stop, or not.

*

I have seen the top stop and tumble on the table. And I am ready to exit. I have been happy before. And I wasn’t for a while. Because I was exploring choices. And therein I tumbled into experiences. Specific experiences. Was excited at those experiences, lived a life around them, but I wasn’t happy. I was angry. I was upset. And it took me a while to realise that there was no matter to the anger. It was empty. Anger is as good an energy as any other emotion. That energy kept me going. But, I said: Enough, enough now. Whatever be the nature of the experiences, I am choosing to be happy. I know now, I do not want to dwell there.

I have just started on this journey, so, I have no evidence of how it works and where it ends. I can tell you for sure, though, that those angry experiences have been left behind.

*

Happiness is a choice. All those angry experiences have helped me choose better. And I have chosen happiness.

#Mumbai: And I Love You So…

There is a romance of the idyllic village.

Not a constant; a fragmented romance. In between the moments of a busy life, we feel it, want it, yearn it. Is it ever real? Or do we just want to get away from it all? An escape. Some of us can make the escape true too – even if, for a weekend. But that is the largest real fragment that is ever offered to us city folks.

Even the largest fragment, the weekend, is often fragmented. It is never a continuous experience. The shards are large enough for us to imagine it romantic; that is all that the weekend offers.

And I wonder.

Do places — the cities vs. the country, make a difference? Do cities consume us differently than the countryside. Is boredom about wanting to do different things or having more time than we can spend? And forget romance; what about love? Does one trump the other?

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There is a love for this city that I cannot let go. If and when we sit and argue — we will list the shortcomings of every place. But that would be such an academic exercise of worthlessness. An exchange of ugly facts; so bereft of emotion! And while facts have their own rightful place, they whither when confronted by love: unconditional love.

//Inset

I was recently asked to consider moving away from Mumbai. #WorkFromHome is the new norm – would it be so bad moving to a quiet place?

No, it wouldn’t be so bad. I’d like it for a few days, but, again, I wonder — would it be good forever? For that which has not come to pass, I can only dread. I could romance it even, but, I wonder — would it be true love?

But I have loved; it is within me. Perhaps a chance for the idyllic romance is due.

My love isn’t going anywhere. I am.

Friends As Homing Devices

A peeking rose

 

Is it so small a thing
To have enjoy’d the sun,
To have lived light in the spring,
To have loved, to have thought, to have done;
To have advanc’d true friends, and beat down baffling foes;

That we must feign a bliss
Of doubtful future date,
And while we dream on this,
Lose all our present state,
And relegate to worlds yet distant our repose?

I read this poem a couple of days ago. Only because I stumbled upon it, while I was reading a book. A book, which I had no idea existed, and discovered it only because I saw a movie, which was recommended to me by a dear friend, which, I would have never watched, if it was left to me. How and why this poem found its way to me, intrigues me. In an amusing way, i.e., not in a way that makes me weave the wool of conspiracy with needles of reason. Ironically, this book had itself alerted me to this phenomenon that I was to soon experience. I had smiled, when I read it; it was cute, but to have experienced the exact phenomenon couple of score pages later, was a revelation, it said:

“I wonder how the book got to Guernsey? Perhaps there is some secret sort of homing instinct in books that brings them to their perfect readers.”

Importantly, the above line ended with, “How delightful if that were true.”

Ah, well, dear author, here is a perfect example of why I believe that books have homing instincts. My time to tell you the story.

*

Time-travel is my favourite movie/series genre. It fascinates me, much. The actual time travel not so much, but the implications of it all. The scientific and the philosophical. Needless to say, all time-travel themed movies and series have been binge-consumed and there is nothing left. I move to the War genre.

Out of the blue, a friend asks, if I have watched The Guernsey Literary and Potato Peel Pie Society (2018) – I tell her, it has been nagging me on Netflix, but it seems (because of the poster) too mushy for my taste. She urges me to watch it. A few days pass. I do watch it. I love it. I tweet about it. Amit thinks I am talking of the book. I say, no, I watched the film. As gently as he can, he curses my wretchedness, that I haven’t read the book, and Amit being Amit, he explains why. Point well taken. I buy the book. I flip through it. I know, what Amit meant. I start reading the book. It’s enjoyable. Then I stumble upon the homing device statement. I smile. Cute, I say to myself. Then I stumble upon the opening line of a poem, that the character in the book writes of; he doesn’t recall the author. Well, I have Google.

Is it so small a thing
To have enjoy’d the sun,
To have lived light in the spring,
To have loved, to have thought, to have done;
To have advanc’d true friends, and beat down baffling foes;

These are the opening lines of Malcolm Arnold’s “Hymn to Empedocles,” part of Empedocles on Etna. I’ve never heard of Malcolm Arnold the poet before. More Googling ensues. I am reminded of something else, in the book”

“That’s what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you onto another book, and another bit there will lead you onto a third book. It’s geometrically progressive—all with no end in sight, and for no other reason than sheer enjoyment.”

And suddenly, late as it is, I am reading “Dover Beach. for sheer enjoyment.”

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

I feel blessed. I thank my friend who suggested the movie. I thank Amit for making me read the book.

I am grateful to the homing devices, that are my friends.

Say, I Love You

It doesn’t matter who you say it to. If you feel it, you should say it. And that is it. Leave.

Love never dies, except when it is waiting in line. Waiting in line to receive something, anything. A response, mostly. It’s a slow, painful death. But it can be avoided. Just say, I love you, and leave. Love lives and flourishes, when it leaves after saying what it wants to say. And just goes on about its business of loving. There is no taking the high road, there is no ego in love. There is no proving, there is no transaction.

It’s only a feeling
feel it in your spirit
let love be love
name it not anything.

[My very basic attempt at a translation] Which shouldn’t matter. What should matter – is saying, I Love You!

Say it, and be on your way.

Crowd of Strangers

Fill it up. Fill it up. Fill it up. Damn the blank page. Put words. Words. Words. Words. And drop it in Times Square, NY. None of the words will know each other, strangers from far off lands revolving on the axis of their feet, drowned in wonder. The crowd of strangers is what gives meaning to Times Square. Not meaning itself. The meaning is in the presence; not in anything else. NY winks and we miss it in the blink of an eye. It’s at its naughtiest best.

Bow to the city, it has seen the birth of your grandparents; it is witnessing your death. Never, ever, however, has a city wished for a birth or death. It is a witness. It allows all. It winks, often, (and you may miss it) but it never asks for either this or that.

Fill it up. Fill it up. Fill it up. Damn the blank page.

I’ll just put five words. I’ll call it abstract. Not for what it is, but for what I can hide behind.

Nay, nay, nay! This wasn’t to be. At the peak of the strange words, there was to be meaning. For me, for you. Running around the base of the pyramid I am lost; for no stone at the base is discrete. I have to climb! Something forms at the peak. And it is built by these abstract slabs at the bottom. I am a slave to how these huge slabs were dragged in place. Without ropes, without connections, I am dragged down. I stay here as if a mutual belonging exists; yet the apex.

May I flex my wrists and twist my ankles. Flex my muscles and twist my body. Shackles will be broken. I will be free. In a foreign land. In New York. In London. In Mumbai. My I see the cities winking at me. And jump on those abstract slabs. Thoughtful; unlike the agitated Prince of Persia.

Once again, watching the crowd of strangers.

A Broken Letter

Everyone knows everything about everyone else. As it happens. Information age and all. Instant ka zamaana hai. Almost everything. From the important to the trivial. Fact that my friend bought a new house and the fact that another friend over-ate last Saturday.  You don’t miss a thing.

Most of us, moved a lot, during our childhood. Given our fathers lived a peripatetic life. Armed forces, Government, Banks, and such. A couple and three decades ago, nothing was instant. Except for coffee, perhaps. We had to resort to old-school (those days it was the best tech available to us) and used to stay in touch through letters. I was recently surprised to know that they still teach letter-writing in school. I wonder if the kids write letters other than scribbling make-believe content to imaginary friends. Even recently, a friend was lamenting the loss of all these sweet old-world charms; ironically on an instant messenger. Being a sucker for sentiment, I shared a letter (not the contents; just the back of the inland-letter he had sent me, way back). Emotions gushed, much emojical sentiment was shared and received.

Another friend caught on to it. Hey, do you have any letters that I wrote to you? I’d like to share them with my kids, show, how we communicated when we were young. Of course, I said, I have a few. I wondered, however, if he’d actually share the content of the letter. We laughed-out-loud emojically.  Share them with me, I’ll see what I can share. I started shuffling through the semi-organised pile of withering envelopes, inland covers, and pages torn from notebooks. I find three of his letters.

One letter, not in any particular pile, sits in the box, with not a care for the world. It’s in a decorative envelope, addressed, but no postage stamp on it. My handwriting. Stuffed, with neatly folded pages. Yellowed by twenty-nine years. I recognise it. I am not sure I want to open it. I know it is about fifteen pages long, back-to-back; that’s thirty pages worth of a letter. It was meant to go where it was supposed to go, but I never let go of it. Letters that don’t get sent, don’t live a life. They don’t die, for they never have lived. They just don’t live. It’s not an unfinished letter. It has been completed, signed. I gingerly open it. It starts to break in my hands. Folds that have not been opened for almost three decades are now sharp cuts where once there were folds. It’s broken. Yet, it does not fall to pieces. Something held the letter together. And I started reading it.

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It slowly comes back to me. I knew where I was sitting. I remember the time of that night. I sense all that I sensed then. It’s painful. It’s raw. Ironically, it is satisfying. In retrospect, it is always easy to justify something. And even if it wasn’t so intentioned, I was writing this letter to myself. To be discovered thirty years later.

Who knew, a broken letter had the power to mend so much.

Love Is; What Else?

छुपा लो यूँ दिल में प्यार मेरा
के जैसे मंदिर में लौ दीए की

*

Hold my love in your heart, the way
a temple Holds the glow of a lamp

*

I am not a good translator. You know that already – addressing those, who have followed this blog for a few years. This is the best I could do.

*

There is a love epidemic; so prevalent in this world; it demands to be loved. It’s, if I may call it, a misdirected epidemic. There is so much transaction of the purest form of human connection; it’s almost pathetic. It’s so much fun to love than being loved. It’s freedom! The unshackling feeling of being in love. Give me that any time. Being loved is a task, an effort, an exercise. But to love? It is a way to be free.

Diwali Lamp

I love you.

And nothing else matters. Being with you does not matter. You being mine does not matter. Having you with me doesn’t matter. Nor does you having me. Being able to love you, beyond the shackles of time and space, in the infinite space of imagination: that is, how I love you. Love is good; we love, as and when we can.

Never ask anything of it, however.

A Corrupt Artist

The Man in the Red Shirt, Ajanta Caves, MH, India

Humanity will survive even if every politician, every bureaucrat, and even the last common man is corrupt, to the core. The day the artist mortgages her soul to evil and greed, there will be no hope left. When the artist holds a mirror stained with corruption — and tells the rest of us, this is who we are, doom is imminent.

A corrupt artist is the indicator of the dawn of darkness.

*

But, how will we know, when such darkness is destined for us?

Conversations with Ghosts of Past

“You aren’t online as much these days,” he said. I detected a note of regret in his voice. Wishful thinking on my part, I thought — there’s so much online these days, no one’s going to regret my absence. He’s just making an observation.

I nodded my head in agreement; smiled just enough so that it could qualify as a smile.

“It’s a bit boring, you know, to keep reading your old stuff.”

“I know the feeling, I have done a lot of reading — all my old posts. There’s not a lot, but there’s enough.”

“You are not just re-reading the posts. What are you searching for?”

“Who,” I said, looking away from him to street. There were so many people on that street. I wondered what they were doing, moving about, talking, walking. Some standing. All of them going about their lives. It seemed so strange, suddenly. Strange strangers. I’ll use that in one of my post.

“And did you find him,” he asked, stirring his coffee. He did that a lot; stirred his coffee, before every sip; I was almost sure of that. It could be irritating, if not distracting.

“I recognise shades of that person. He seems somewhat alien. It’s like … I was perhaps infected with that alien DNA a while ago, and as I read the posts, some sort of recognition causes green and blue neon-like pulses to emit through the screen and connect with a part of me. Just a part of me. It’s there, but it does not bind.”

“Why”

“I don’t know. Maybe I am a million galaxies away from that DNA. Or some million light-years away or something like that, there’s a connection, but it’s weak.”

“Too much of Netflix-binging?”

“Yes, mostly time-travel,” I said. A real smile, that would have almost qualified as a laugh.

“I know you don’t travel as much. I mean in this time/space construct; needless to say. Not time travel. You aren’t even capturing time, so to speak; you have stopped taking photos. Right? And you have stopped writing. In short, there is no movement, there is no new experience. Is that why there is no new documentation? Are you falling short experiences to describe? It’s perhaps not as simple as that, but I have to ask you – is it as simple as that?”

“Not having “experiences”; is that also an experience?”

“Doesn’t the mind hold a million times more possibilities than the real world,” he asked, not really meaning what he asked. He was perhaps interested in my mind. The possibilities in my head. I heard him but I wasn’t there.

Voices, with amazing clarity whooshed in that empty coffee shop.

You deserve more than this.
I’d rather be talking with you.
I like being with you, but…
I love you.
This is a great evening, I’ll cherish it forever.
I wish it were different.
Why didn’t you say something then.
If only…
I hope we can meet again

“My mind is full of regrets,” I said, “not necessarily mine. Not my regrets. And I may have a few. But my regrets are overwhelmed by the regrets I hear from them. Every regret was a possibility, come to think of it – it does not matter whether it was mine or theirs.”

*

“Write about them, then, those possibilities,” she pleaded.

She was grace. Unlike him who constantly stirred his coffee. She was a possibility. Looking in her eyes, then, I was reminded. Everything is possible. I don’t recall the new-age music that was playing in the cafe; but I heard:

Like a tunnel that you follow
To a tunnel of it’s own
Down a hollow to a cavern
Where the sun has never shone
Like a door that keeps revolving
In a half-forgotten dream
Or the ripples from a pebble
Someone tosses in a stream

Like a clock whose hands are sweeping
Past the minutes of its face
And the world is like an apple
Whirling silently in space
Like the circles that you find
In the windmills of your mind.

~ Sting – Windmills Of Your Mind

I looked deep in her eyes. I did not blink. I was afraid, if I looked away, she would be gone, just like him. And I wasn’t prepared for who would be sitting with me next. I continued to stare in her eyes. I did not look away, but I knew that the strange strangers were looking at me. There’s something about a gaze.

“What a lovely pattern on your coffee,” she said, with so much of love and affection.

Patterns. Repetitive. Predictable. I am living those patterns. I look up, she isn’t around. I want to say something.

*

There is no Barista in the cafè.

*

No people on the street.

*

I walk out.

*

This world is empty of humans.

***

PS: Above post is all imaginary. It never happened. It’s a ghost story. None of my friends were involved in this story.

The True Letter

“Bhai!” (Brother; no blood-relation, but what we feel about people is stronger than a blood-call)

I always love hearing his voice.

Hey, how are you, I asked.

“All good man. I am sorry.”

Huh? Why?

“I haven’t replied to your letter” [A physical letter, written on paper, paid for with postage, to be delivered by a postman]

That’s alright. I have received one from you.

“I know, but I never replied to your reply to that. I want to reply. I want you to know that.”

She had written a letter to me once. On an unruled Inland Letter. There was a lot of space in between the lines she wrote. Maybe she was helping me read in-between the lines. I wasn’t as smart then, also, I thought I was in love. I just saw the empty space between the actual lines, beautiful handwriting, and well, you know what. She also wrote of how she had good intentions to write to me, but, she reminded me that, “the road to hell is paved with good intentions.” I thought I’d re-quote this to my brother. Thought better of it.

That’s fine. I know you will reply. Soon.

“I don’t understand why I don’t write. I have the stationery. I have the will.”

You are, perhaps too focused on writing a proper letter.

“Meaning?”

You don’t need to write a full letter, you know. Just write a big ‘HI’ on the letter and post it?

“Meaning?”

*

Rest of the conversation was of various other things. And while I did give him an answer for his last question, I wondered, what was the “Meaning?” What does a letter mean? To me?

Doing an about-turn and looking within yourself is a difficult thing to do. We rarely do it. It follows, that we have lost (or are losing) the art of looking within. That evening, I turned.

It’s just so nice to receive a personal letter. A small little envelope, with your name inscribed on it in, fat, thin, curvy, thick, elegant, scribbly handwriting. It’s your name. Then follows your address. Whoever sent you the letter knows exactly where you are. The letter comes home. We aren’t having a conversation while I am commuting or when I am down on the street for a late afternoon for a chai and a cigarette. [Statutory Warning: Smoking is injurious to health].

A letter comes to where you are. Home. And then you open the letter. It may be a single page, or pages and pages stuffed in that reluctant envelope, ready to burst at the seams. It’s never the same as having the letter-writer in front of you, but it is the closest. I know, many folks think voice is the closest, but I think otherwise. Written words are. See, letter writing (pen and paper) is not the same as typing on a keyboard. Our thoughts are racing, our pen-in-our-hand cannot keep up. So, we often slow down out thoughts. If you have ever received a multi-page letter, you will know what I am talking of.

The first paragraph is exquisite. Your friend has sat down to write the letter, slowed down the thought process, and the best of her handwriting shows up. One page down. Now the excitement of Oh-I-have-so-many-things-to-share-with-you, takes over. Scribbly text takes over. Spelling mistakes. Scratches. She sees her own handwriting. Slows down. It repeats. Somewhere, the weight of the paper comes into consideration. No more pages! But I have so much more to say. A-ha! Margins! Let’s flout that one rule we learnt in school.

There’s more character to a letter than any other form of communication. Except of course, when we are having coffee together, at the same table.

To write a good letter, we need to be in denial, however; in these times. We have to deny ourselves an instant response. We have to let go, of a response, if that is what it takes. There is sheer pleasure in writing a letter. We have to move away form the instant gratification of the double-blue-tick-mark of WhatsApp and learn to yearn for a postal delivery. For something tangible. For something that’s forever.

*

Take your time, Bhai. Send me that letter when you can. What matters not is that it’s a postcard or an overstuffed envelope for which I have to pay extra postage. What matters is that I get it. You know it, there’s a joy in receiving letters. You have experienced it.

Spread the joy.

I Care That Much

“I don’t care.”

Saw this on the back of a car, a few days ago. I wasn’t driving. I thought of taking a photo of that careless decal, but, I couldn’t.

I have to tell you, I was amused by that statement. To begin with, the amusement was about the statement itself. The person driving the car, didn’t care. Obvious. In my head, I would have imagined, you’d have a bumper-sticker equivalent of what you care. Like who you would vote for, or an issue that you support. But, here was a bumper sticker: I don’t care.

Tate Modern - Wall Art - 9

I don’t have photo of the sticker. So, let me describe it to you. It was finely crafted. Custom font. Black on white. It stood out. You could not miss it. There was an artistic sense of the sticker.

*

I wonder, why someone would make a statement like that. Decals on vehicles are mostly statements of identity and belonging. Almost always they are a statement of power. And here I have a statement that does not belong: I don’t care.

Given the effort of the decal, I propose that the person cares. Cares enough to make a statement that he/she doesn’t care. If, you really don’t care – is a statement necessary? Do those who would like you to care, care about you?

*

To invest in a sticker with a custom font, is to care. Even if it is a statement saying that you do not care. You care to say that you do not care. And that says much.

You care enough, to say that you don’t care.

End of an Exile: 14 Years

Fourteen years is usually a standard for an exile in ancient Indian texts. So, exile is the first word that comes to mind when fourteen years have passed. Of course exile doesn’t apply in the context of this post – it is actually the fourteenth-anniversary of this blog. Yes, fourteen years. Not a round number like ten of fifteen, just a number, somewhere in the middle.

I don’t know if I have enough to show for it, I mean I have less than 1400 posts, not even a 100 for every year. Once upon a time it made a lot of difference to me – to write regularly, nicely. Over time, it didn’t seem as important. The urge to write was always there, the bloggable thoughts continued. Just writing them seemed unimportant. What’s one thought lost among the millions that never saw the bytes of a blog? More thoughts got added to those millions.

1132: Jantar Mantar

Recently, after a long and an interesting conversation, which I may add is pretty rare these days, I discovered that a lot of what was going in that conversation had occurred before and it was in this blog, somewhere. Present-me felt thankful to the Past-me. Thank you for expressing all that out here. This experience has also got me reading my blog all over again. It’s not just nostalgia, there’s a wonderful sense of getting to know a person. For me, more so, because I know the person more than these posts describe.

There’s not much to say about this anniversary, just that it is overwhelming to think it, even. I just look forward to do more justice and send lesser thoughts the way of the firing squad in the days and years to come. Not every thought may be popular or interesting, even, but it is worth in itself. For its be-ing.

That’s worth fighting for.

*

Thank you all who have visited all these years, I am truly grateful for your visit, acknowledgement, and your thoughts.

The Mob Within

There are those who wear white. But they didn’t always wear white. And then, there are those who wear black. They didn’t always wear black either. What was white, what was black was never something that was definite.

In the absence of standards, White said, this is how it all should be. Black said, this is how it should not be. Like iron-shavings, around and about a horseshoe magnet, alignment happened. Needless to say, the shavings had no mind of their own.

Whitish emotions aligned with the White end. Blackish emotions, of course, aligned with the Black end. I wonder if it was truly magnetic. Emotions are mercenaries. They will go where they get the most benefit. White camp, Black camp. They’ll adorn their hoods of grey and go to either camp. Emotions have the same basic survival instinct as humans. They will make their choice. Emotions choose to survive. Simple.

White makes a recruitment case, so does Black. We are our emotions. We are choosing camps.

There is darkness in all of us. The “obvious” Black. But the White camp has currency. Black is bleaching their hoods and becoming greyer towards white. Acceptance eats identity for breakfast. The White-hood gangs up. Swords drawn, ready to attack the Black. Black is smart, it fades in the darkness that is its nature. White can’t fight in that arena, it withdraws. Stands tall.

Black is not vanquished. And it never will be. For if Black was to ever disappear, how will White exist. White knows this. It can only push Black to the shadows, but never vanquish it. When and how did White become the vanquisher? Did it borrow from Black? Is a part of White’s identity based on Black?

Then comes the question of the whole. Can it be fully White? Can it be fully Black? Is there a Blackness in White? Is there a Whiteness in Black?

I am White fighter. In between the gunfight, I look over my shoulder, and my coat is grey. A shade I have never seen before. I am Black fighter. In between the gunfight, I look over my shoulder, and my coat is grey. A shade I have never seen before.

*

I am White and Black, and everything between. I am the total of the Mob that is fighting with each other. I am fighting with me. I am both sides of the Mob. I am White. I am Black. I acknowledge White. I accept Black. I am Whole.

I am the conflict. I am peace.

Happy Teachers’ Day

Every year this day comes. On this day. And you find yourself wondering what will you say different from all the times before. Things are changing so slowly, they are hardly noticeable. The most important serviceperson of the nation is getting disillusioned and I have not much to offer that makes real sense to a teacher.

I hope things will change for the better. The teacher’s life will become better. I will do all that I can, along with like-minded people who share the same beliefs. For now, the people you work with, are the best motivation for you.

Young students, Akanksha, Teacher's Day

Courtesy: Akanksha Photo Shoot

Thank you, dear architects of the future of this country. Thank you for your relentless service to the nation against the most challenging odds. Thank you, especially, for standing tall and strong through the seemingly hopelessness of it all. That takes a different type of courage.

#RESPECT

Wish I Were Here! And There Too!

Cloning would seem the most obvious solution. But it’s definitely not.

A situation arose today. I wanted to be at a place. But I also had to be elsewhere. Not that I didn’t want to be (that) elsewhere. I wanted to be there too. If I had over-thought – I could have chosen one of the places. They are 1007 kms apart. I had good reason to be at both places. I wanted to be at both places. Needless to say, I had to choose. A few months ago, this wasn’t so difficult. I would have just left. It is becoming difficult by the day.

The Matrix

Cloning would seem the most obvious solution. But it’s definitely not.

Because I would not be the receiver of both the experiences. Clones do not have a common sense of experience, do they? No, cloning would not solve it. Nothing will, in fact. That’s perhaps, what makes up life and life experiences. I don’t know it yet, but I am better for it. Not that I made a “right” choice — in this case, it wasn’t about right and wrong. It was simple: I wanted both. And the other thing was simpler: I couldn’t have both. It was only a life lesson.

If you were here, with me, my smile would have confounded you.

There’s Hope #Movies

Potential spoiler. Not giving out the plot, but it may influence your thinking, if you haven’t and are going to watch the movie.

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I watched Baahubali 2: The Conclusion (2017), yesterday. (IMDB has got it wrong; its spelled with two a’s, unless of course, you use the ā, in place of the single a). It was everything that I didn’t expect it to be. Primarily, it was dragged to death and beyond. I am a big fan of the fantasy genre, and I enjoyed Baahubali: The Beginning (2015), a lot. In spite of some really over-the-top stuff in the movie. And given the suspense created in the first movie, I was really looking forward to the second. I’ll stop just short of saying that it fell flat. I’ll concede, however, that watching it dubbed (very badly) in Hindi was a mistake. I should have gone for the original Telugu version. I understand a few words and phrases in Telugu; but that’s not reason: there’s something very disturbing when sound and lip-movements are out of sync. It’s the effect, methinks, that’s diluted in dubbing. Subtitles are a better alternative. And when you are creating an artwork on such a large canvas, that one small thing can ruin the painting. Most of the CGI was impeccable, except for fire. They haven’t mastered that. That was very childish. This isn’t review, just thoughts. Five of my co-cinema-goers were equally (or more) disappointed, so we decided to wash down our dismay with a few beers.

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I have practiced suspension of disbelief much before I learnt what it meant. It has always helped me with imagination. Considering possibilities is exciting. And when you start considering, you can go various places. Including some not-so-nice places. Yet, it is worth the trade-off.

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After mocking the movie over a couple of beers, we asked ourselves if this is the fare that we are doomed for? I didn’t completely agree, but I didn’t say so.

Holding on

A week ago, I watched Poorna (2017). [PS: It’s available on Amazon Prime]

I am a very involved movie-watcher, and I experience the emotions that a director of a movie would like me to. If she is a good director. I laugh and cry wholeheartedly; get angry and afraid as the story asks of me. I do not watch horror movies because I do not like to be terrified. It’s not an emotion I prefer, if I can avoid it. The real-world is terrifying enough.

Poorna is the (real) story of the youngest girl to have scaled Mt. Everest. I’ll just say that. There are other adjectives to the tag line, in my opinion — they aren’t important.

The movie was a multi-layered emotional roller-coaster. The first layer is obvious: it’s her story, and in that sense, a dramatised documentary. But there’s something deeper. And without warning the layers reveal themselves. And it’s less about her and her motivations; it starts becoming about you. It touches your heart. Straight, direct, instant.

There’s hope. There’s proof. Of good movies.

It Ends with You: #ANTHEM 18

Well, it’s not really the end, so to speak. It’s not really the end as much as it is the limit. At least in this song. While the song keeps saying that you are the end – that is not what it means. We are apt to get lost in the literal meaning. And we should be careful. Love knows no end. If it did, it would be so small, so little, so less in meaning – I wouldn’t be love.

17.02.03: For the Love of Red

Living this life that I have lived, I have discovered, it’s not so. Love has limits, ends, boundaries. Unfortunately it has a start and an end, for those who choose to be in love or not. Not for a lover, however; the lover is always in love. You can throw restrictions and strictures at a lover — that person will continue to love, by throwing away the net of conventions.

 

For my readers who do not know Hindi, here’s the translation.

This song states the limit of love; there should be a poetry of how love starts. How it begins. How it is sparked.

That’s just me. But, This song has been on the top of my various playlists. For the first time, it is not the lyrics, but the sense of the song that is making sense. There are people who do not want, necessarily, to be in love. But they need a sense of it.

You can either define limits or you can define love. Not both.

For them, these limits may make sense. For the rest of us..

… ah, well…

It’s Love!

209 pages

This book that I am reading. A mass market paperback. It’s called “What is History?” by Edward Hallett Carr. I started reading it on 10th October, this year; am on page 112, now. That seems like an achievement to me. So, as is my nature, I posted this update on Goodreads, and it showed up on my Facebook feed. (Not magically; I’ve given Goodreads permission to publish on Facebook on my behalf.)

Of all the people who saw that post, it was picked up by my English teacher from school, and she commented, “Atul, keep up the speed.”

Disclaimer: She is my favourite teacher of all times and I am her favourite student of all times. (Irrespective of the thousands of kids she taught after I completed high school. A few of these thousand kids may have been good, but I am her favourite, I am sure. Let’s not dwell on the fact that I didn’t make it to Editor of the school magazine, in my last year. Those were purely technical issues.)

More than twenty-five years later, she keeps tabs on what read and write. On my previous post, she said, “Well tried.” That was a message, if I ever got one. That’s who and how she is; she always pushes you forward.

You are never as good (or bad) as what you just accomplished, you are as good as what you can achieve.

Perhaps, that was her mantra for all of us. Perhaps that’s why I am not as lost as I think I would have been, otherwise.

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Back to the book.

This book is about Historiography. Unlike most facile stuff that I once used to read, it’s not an easy read. Here’s a sample:

This is the real indictment of those who seek to erect a super-historical standard or criterion in the light of which judgement is passed on historical events or situations—whether that standard derives from some divine authority postulated by the theologians, or from a static Reason or Nature postulated by the philosophers of the Enlightenment. It is not that shortcomings occur in the application of the standard, or defects in the standard itself. It is that the attempt to erect such a standard is unhistorical and contradicts the very essence of history. [E. H. Carr, What is History?]

As is obvious, such a paragraph takes time (for me, at least). The idea in itself is quite simple and straightforward. The manner in which it is presented seeks that the reader be involved with heart, soul, and mind.

So, yes, I’ll complete this book. Soon enough, for it’s the kind that needs to be savoured.

And that’s the speed. Thank you Ma’am!

A Beautiful Story

I’d like to write a beautiful story. I am unable, however.

Because there isn’t one available. In contemporary strife and disharmony, the beautiful stories are lost. It’s not that there aren’t beautiful stories. There are, many of them. They are just smeared by swatches of current ugliness. So, we don’t see these beautiful stories for what they are. We refer to the ugly smudges.

Boatman - 3

From the stink and sludge of the faecal remains of an unnecessary and useless debate, we will have to rescue the beautiful stories; lest the smears become their identity and they sink to the bottom of the sink.

We shall not gather beauty from ugliness, nor intellect from a slow temperament, nor fiery passion from disciplined apathy, but in all things shall reap as we sow, and must sow the wind before we can reap the whirlwind. ~ Sri Aurobindo, in “Early Cultural Writings”

And that gives us hope; for the ugliness in which these beautiful stories lie with extended arms, is artifice; one swipe of our hands and we will see the beauty and embrace it forever. And it will be our own, forever.

All we will need is a gentle long wash & shower in cold water.

There is hope, yet.

Not Everybody’s Sport: #Kabaddi; Unlike #Tennis

Needless to say, India won the Kabaddi World Cup.

Needless, only because those who follow the sport know it. For the rest of – that’s news (Assuming it matters)

I have been somewhat vocal on Twitter about the various events of the Kabaddi World Cup while I was watching it. I ensured one thing: I always included the #2016KabaddiWorldCup tag in all my tweets. I know, many of the folks who follow me on Twitter may not be interested in Kabaddi. Using that # tag in my tweets allows my followers to mute the hash tag, and allow them to follow me for the other tweets that they like and could be interested in.

Why don’t tennis or (most) cricket followers do it? Most of the folks who I follow on twitter are cricket or tennis fans. They tweet about updates, thoughts, and ideas all the time — without any # tag. Apparently #Tennis and #Cricket is something that we all follow?

I got this DM recently on Twitter:

“Ah, I’d muted you when you were tweeting much about Kabaddi.”

Again, needless to say, my friend could have muted the hashtag. #ProKabaddi. But he muted me. He must have thought I am a tennis fan. For no tennis fan ever qualifies his or her tweet. It’s tennis terrorism, almost.

Follow me or unfollow me, it doesn’t matter. I will always give you a choice to mute tweets which you do not want to see.

Decency.