There’s Hope #Movies

Potential spoiler. Not giving out the plot, but it may influence your thinking, if you haven’t and are going to watch the movie.

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I watched Baahubali 2: The Conclusion (2017), yesterday. (IMDB has got it wrong; its spelled with two a’s, unless of course, you use the ā, in place of the single a). It was everything that I didn’t expect it to be. Primarily, it was dragged to death and beyond. I am a big fan of the fantasy genre, and I enjoyed Baahubali: The Beginning (2015), a lot. In spite of some really over-the-top stuff in the movie. And given the suspense created in the first movie, I was really looking forward to the second. I’ll stop just short of saying that it fell flat. I’ll concede, however, that watching it dubbed (very badly) in Hindi was a mistake. I should have gone for the original Telugu version. I understand a few words and phrases in Telugu; but that’s not reason: there’s something very disturbing when sound and lip-movements are out of sync. It’s the effect, methinks, that’s diluted in dubbing. Subtitles are a better alternative. And when you are creating an artwork on such a large canvas, that one small thing can ruin the painting. Most of the CGI was impeccable, except for fire. They haven’t mastered that. That was very childish. This isn’t review, just thoughts. Five of my co-cinema-goers were equally (or more) disappointed, so we decided to wash down our dismay with a few beers.

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I have practiced suspension of disbelief much before I learnt what it meant. It has always helped me with imagination. Considering possibilities is exciting. And when you start considering, you can go various places. Including some not-so-nice places. Yet, it is worth the trade-off.

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After mocking the movie over a couple of beers, we asked ourselves if this is the fare that we are doomed for? I didn’t completely agree, but I didn’t say so.

Holding on

A week ago, I watched Poorna (2017). [PS: It’s available on Amazon Prime]

I am a very involved movie-watcher, and I experience the emotions that a director of a movie would like me to. If she is a good director. I laugh and cry wholeheartedly; get angry and afraid as the story asks of me. I do not watch horror movies because I do not like to be terrified. It’s not an emotion I prefer, if I can avoid it. The real-world is terrifying enough.

Poorna is the (real) story of the youngest girl to have scaled Mt. Everest. I’ll just say that. There are other adjectives to the tag line, in my opinion — they aren’t important.

The movie was a multi-layered emotional roller-coaster. The first layer is obvious: it’s her story, and in that sense, a dramatised documentary. But there’s something deeper. And without warning the layers reveal themselves. And it’s less about her and her motivations; it starts becoming about you. It touches your heart. Straight, direct, instant.

There’s hope. There’s proof. Of good movies.

A Permanent Image

I was on vacation, last week.

It has been a while that I have been on a vacation. Those of you know me, will probably be rolling your eyes. Yes, I have been on a holiday recently, but it has been a while that I have been on a vacation. Somewhere, in my mind a break, a holiday, and a vacation are different. I mean obviously they are different, they are three different words. But how they differ, actually, is a mystery to me. It’s probably got to do with the length, of how long you are away. This one was a full week, so, vacation.

A vacation after five years, almost. And much has changed, since my last vacation.

I saw all that I thought I would see. The faraway trailing mountain lines, the thready waterfalls of summer, the centenarian eucalypti seeking the sky, wild flowers sidelining the roads, brightly coloured happy homes that are the stuff of dreams, and sunsets that Turner would want to capture on a canvas. I saw all of that. Yes, I did.

I also saw, however, that no one else was seeing all this. Almost everyone had their backs to these wondrous sights. Seeing the sight doesn’t matter much. Being seen with the sight is now important. At all places, yes, all places, all the tourists had their back to what they came to see. This is not to say that they weren’t seeing the mountains, the trees, the waterfalls, or the flowers. They were seeing it. They were seeing it on their phones, bounded in an unnatural 16:9 ratio on a five-inch screen, while they took a photo of themselves being there.

I do not deride these selfie-seekers. For, when you are on a vacation, you must seek that, that makes you happy. I am, however, unable to relate to it.

How I look to the mountains; how the mountains look at me, is an image. It will never be shared. But it is forever.

It’s etched on my soul.

Rock Bottom

I remember it.

But I have no idea how I remember it. The memory is corrupted, somehow; it seems, to me. But I have no way of knowing. There is no way that you can trust a memory that’s 16 years old.

If it is that old, we live on disconnected fragments. Disconnection is the key, perhaps. We fill the gaps of disconnectedness the way we would imagine them to be. We pour wishful-thinking in it. Much time has passed. As a wise man once said, God gave us the ability to forget. Without wanting to, we forget. The blur remains. And we try to make sense of it. To no end.

Often I feel guilty of not remembering you all; you dead people. I do not know if I have let you go or if you have let me go. The guilt is not about how I would have saved you (though, that remains), but about how I would have spent time with you.

My best friend would call out this post and say how dark, my posts have become. She has said it already. I, however, will not deny what I feel. Mentioning death, makes this post dark. But it is not so. Death, as the cliché goes, is dark. And it is inevitable. Death, however, is not just the demise of a person.

1885: Coal Mining: Tadoba-Andhari Tiger Reserve

It is the end. End of things.

Death is a concept, not an event. Most of us cannot accept an end. It is the proverbial flogging of a dead horse. Instead of leaving the room, we concentrate on belonging. Without purpose. A promise of a long time ago, in different circumstance. Like flogging a dead horse, petting a dead horse is the same.

Undelivered.

Lies upon lies to maintain status quo. Till such time. It’s OK. Stop lying. Just say the word. Say no.

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We will be free, eventually.

It Ends with You: #ANTHEM 18

Well, it’s not really the end, so to speak. It’s not really the end as much as it is the limit. At least in this song. While the song keeps saying that you are the end – that is not what it means. We are apt to get lost in the literal meaning. And we should be careful. Love knows no end. If it did, it would be so small, so little, so less in meaning – I wouldn’t be love.

17.02.03: For the Love of Red

Living this life that I have lived, I have discovered, it’s not so. Love has limits, ends, boundaries. Unfortunately it has a start and an end, for those who choose to be in love or not. Not for a lover, however; the lover is always in love. You can throw restrictions and strictures at a lover — that person will continue to love, by throwing away the net of conventions.

 

For my readers who do not know Hindi, here’s the translation.

This song states the limit of love; there should be a poetry of how love starts. How it begins. How it is sparked.

That’s just me. But, This song has been on the top of my various playlists. For the first time, it is not the lyrics, but the sense of the song that is making sense. There are people who do not want, necessarily, to be in love. But they need a sense of it.

You can either define limits or you can define love. Not both.

For them, these limits may make sense. For the rest of us..

… ah, well…

It’s Love!

Return of the Rhythm

Writing here feels a bit weird, now. Using a keyboard, i.e.

A couple of hours ago, I completed a handwritten assignment: over 11,000 words, in seventy-five pages. The wrist and the fingers feel different; rejuvenated, or something like that. Like the return of an old memory; only that the sense of the memory is physical.

When I got to know about this assignment, I was a bit surprised. In this age and time? Handwritten assignments? That too, these long? I mean who does that anymore! A friend even called it regressive. And she would be right. But I decided to go through it. If nothing; as an experience.

When I finished the first three pages, I was not sure I’d be able to complete. The wrist and the fingers were ready to fall off. And I posted a picture of the pages that I had written, on Facebook, and wondered socially aloud, if I could complete it. Like an angel that she is, my English teacher from school, saw that post and asked me to keep at it. All through, whenever I talked about this — with friends and family — all I saw were congratulatory thoughts and lots of “thumbs ups.”

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The first seven – eight pages were painful, to say the least. And they were excruciatingly slow. Somewhere around that time, I found my rhythm. The muscle memory, which I thought I had lost, forever, kicked in. Ink started flowing on paper. The speed of my thought and the speed of my writing, found harmony. It was sweet music and dance. Fond memories of learning, discovering new things, surfaced slowly and put me in a happy place.

I am glad I didn’t give up.

Thank you, you know who you are.

PS: This post is a measly three-hundred and thirteen words. Perhaps this assignment was more than just a submission for my course-work.

209 pages

This book that I am reading. A mass market paperback. It’s called “What is History?” by Edward Hallett Carr. I started reading it on 10th October, this year; am on page 112, now. That seems like an achievement to me. So, as is my nature, I posted this update on Goodreads, and it showed up on my Facebook feed. (Not magically; I’ve given Goodreads permission to publish on Facebook on my behalf.)

Of all the people who saw that post, it was picked up by my English teacher from school, and she commented, “Atul, keep up the speed.”

Disclaimer: She is my favourite teacher of all times and I am her favourite student of all times. (Irrespective of the thousands of kids she taught after I completed high school. A few of these thousand kids may have been good, but I am her favourite, I am sure. Let’s not dwell on the fact that I didn’t make it to Editor of the school magazine, in my last year. Those were purely technical issues.)

More than twenty-five years later, she keeps tabs on what read and write. On my previous post, she said, “Well tried.” That was a message, if I ever got one. That’s who and how she is; she always pushes you forward.

You are never as good (or bad) as what you just accomplished, you are as good as what you can achieve.

Perhaps, that was her mantra for all of us. Perhaps that’s why I am not as lost as I think I would have been, otherwise.

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Back to the book.

This book is about Historiography. Unlike most facile stuff that I once used to read, it’s not an easy read. Here’s a sample:

This is the real indictment of those who seek to erect a super-historical standard or criterion in the light of which judgement is passed on historical events or situations—whether that standard derives from some divine authority postulated by the theologians, or from a static Reason or Nature postulated by the philosophers of the Enlightenment. It is not that shortcomings occur in the application of the standard, or defects in the standard itself. It is that the attempt to erect such a standard is unhistorical and contradicts the very essence of history. [E. H. Carr, What is History?]

As is obvious, such a paragraph takes time (for me, at least). The idea in itself is quite simple and straightforward. The manner in which it is presented seeks that the reader be involved with heart, soul, and mind.

So, yes, I’ll complete this book. Soon enough, for it’s the kind that needs to be savoured.

And that’s the speed. Thank you Ma’am!

Writers & Carpenters

Writing is difficult. Writing well, is another matter altogether.

Carpentry is difficult too. Carpentering well, is another matter. Just like writing well.

Writers get distracted; just like carpenters. Writers and carpenters have their own means of getting distracted. Writers get distracted by style, grammar, method, medium, and such. Carpenters think of paint, cuts, design, trends, and such. (Needless to say, I am making things up for carpenters. I am not a carpenter. Though I would have liked to be one. Come to think of it, I am, perhaps, making things up for writers too!)

When distracted and diffused*, writers write nonsense or trite passages and carpenters make bad furniture or misaligned shelves. And this distraction is perhaps important. For writers and carpenters. It offers an opportunity to move away from the known, experiment, make mistakes, fail (often miserably), learn, and therefore, create something new.

6172: Buddha

After all the wandering through the land of distractions, however, the writer and the carpenter return. To the place where they started. Everything is the same, but nothing is. The intercourse of familiarity and strangeness is at once comforting and disquieting. This conflict is beauty’s birthplace.

The carpenter creates a writing desk for the expression through words, as the writer would, and the writer measures and assembles his words as the carpenter would. The open window is witness: to what the carpenter would like the writer to see and to how the writer sees what the carpenter intended.

It may not happen at first, but it is a stage for success.

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* Kathy’s Song, Paul Simon