There’s Hope #Movies

Potential spoiler. Not giving out the plot, but it may influence your thinking, if you haven’t and are going to watch the movie.

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I watched Baahubali 2: The Conclusion (2017), yesterday. (IMDB has got it wrong; its spelled with two a’s, unless of course, you use the ā, in place of the single a). It was everything that I didn’t expect it to be. Primarily, it was dragged to death and beyond. I am a big fan of the fantasy genre, and I enjoyed Baahubali: The Beginning (2015), a lot. In spite of some really over-the-top stuff in the movie. And given the suspense created in the first movie, I was really looking forward to the second. I’ll stop just short of saying that it fell flat. I’ll concede, however, that watching it dubbed (very badly) in Hindi was a mistake. I should have gone for the original Telugu version. I understand a few words and phrases in Telugu; but that’s not reason: there’s something very disturbing when sound and lip-movements are out of sync. It’s the effect, methinks, that’s diluted in dubbing. Subtitles are a better alternative. And when you are creating an artwork on such a large canvas, that one small thing can ruin the painting. Most of the CGI was impeccable, except for fire. They haven’t mastered that. That was very childish. This isn’t review, just thoughts. Five of my co-cinema-goers were equally (or more) disappointed, so we decided to wash down our dismay with a few beers.

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I have practiced suspension of disbelief much before I learnt what it meant. It has always helped me with imagination. Considering possibilities is exciting. And when you start considering, you can go various places. Including some not-so-nice places. Yet, it is worth the trade-off.

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After mocking the movie over a couple of beers, we asked ourselves if this is the fare that we are doomed for? I didn’t completely agree, but I didn’t say so.

Holding on

A week ago, I watched Poorna (2017). [PS: It’s available on Amazon Prime]

I am a very involved movie-watcher, and I experience the emotions that a director of a movie would like me to. If she is a good director. I laugh and cry wholeheartedly; get angry and afraid as the story asks of me. I do not watch horror movies because I do not like to be terrified. It’s not an emotion I prefer, if I can avoid it. The real-world is terrifying enough.

Poorna is the (real) story of the youngest girl to have scaled Mt. Everest. I’ll just say that. There are other adjectives to the tag line, in my opinion — they aren’t important.

The movie was a multi-layered emotional roller-coaster. The first layer is obvious: it’s her story, and in that sense, a dramatised documentary. But there’s something deeper. And without warning the layers reveal themselves. And it’s less about her and her motivations; it starts becoming about you. It touches your heart. Straight, direct, instant.

There’s hope. There’s proof. Of good movies.

A Permanent Image

I was on vacation, last week.

It has been a while that I have been on a vacation. Those of you know me, will probably be rolling your eyes. Yes, I have been on a holiday recently, but it has been a while that I have been on a vacation. Somewhere, in my mind a break, a holiday, and a vacation are different. I mean obviously they are different, they are three different words. But how they differ, actually, is a mystery to me. It’s probably got to do with the length, of how long you are away. This one was a full week, so, vacation.

A vacation after five years, almost. And much has changed, since my last vacation.

I saw all that I thought I would see. The faraway trailing mountain lines, the thready waterfalls of summer, the centenarian eucalypti seeking the sky, wild flowers sidelining the roads, brightly coloured happy homes that are the stuff of dreams, and sunsets that Turner would want to capture on a canvas. I saw all of that. Yes, I did.

I also saw, however, that no one else was seeing all this. Almost everyone had their backs to these wondrous sights. Seeing the sight doesn’t matter much. Being seen with the sight is now important. At all places, yes, all places, all the tourists had their back to what they came to see. This is not to say that they weren’t seeing the mountains, the trees, the waterfalls, or the flowers. They were seeing it. They were seeing it on their phones, bounded in an unnatural 16:9 ratio on a five-inch screen, while they took a photo of themselves being there.

I do not deride these selfie-seekers. For, when you are on a vacation, you must seek that, that makes you happy. I am, however, unable to relate to it.

How I look to the mountains; how the mountains look at me, is an image. It will never be shared. But it is forever.

It’s etched on my soul.

Writing Rigour

I have sometimes been wildly, despairingly, acutely miserable, racked with sorrow, but through it all I still know quite certainly that just to be alive is a grand thing. – Agatha Christie

That’s the headline of a blog that I have followed for a while. For a few years now, the blog has been defunct; not the blogger. I met the blogger today; very much alive. Said blogger stopped blogging a few years ago. What’s the point, she said. When she stopped blogging, she did not explicitly ask this question. I know another blogger who did the same. She perhaps was asking different questions. I actually know of a third blogger. He stopped blogging too. His question — I have no idea. He went to the extent of deleting his blog. It must have been serious.

I have, I will confess, considered not blogging. But for the life of me, I could never consider deleting my blog. Good or bad, I cannot deny that this has been an integral part of my life. That, some of the followers of my blog bring up posts from several years ago in a conversation, is reason enough. (I tried doing an April Fool gag; fell flat on my face). There was a time when I wrote words that everyone most people liked. That’s not the case, now.

Not that words are foreign. They are still mine. I recognise them just like before. Just that the way they want to be together is unlike how they’d gather like obedient children; earlier. Perhaps, I am not a shepherd of words. Perhaps words shepherd me. Perhaps, that is why some of my recent posts are shite. Or, I have lost the ability to shepherd. The shepherding, notwithstanding — the words are mine and I am of words.

We have just lost the rhythm.

All I need, is to go to the dance floor that isn’t patronized by any one any more and do my silly dance. Where no one will see me. Where neither my words, nor I will care.  Salsa with adjectives and Samba with verbs. The apocalyptic dance. One writer in the world; no reader left. Is a writer made of readers or is a writer made of writing? Will a writer write if there is no one left to read? What defines a writer? The writing, or the readers?

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I told her today, my writing, in recent times, has achieved heights of mediocrity, not knowing, if that is a sense of achievement. But I have to write. Not because you will read. Not because you will like it. I have to write, because I have to write. Scribble.

125659: Wall Grunge

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No writer, if she can, should give up writing. Because every writer knows one thing (even if she cannot sense it) – she and the words are one. She may walk away from words. (Words are kinda stupid; they have no emotion – they will sit where they were last sat; where words should be – is a writer’s prerogative.) But there is no leaving. Even if she never writes them – she cannot escape them.

If you can help it – do not become a writer. There is no escape. If you become a writer; welcome to the club!

Crucial Curation

Those who have followed this blog for a while, know of my love-hate relationship with social media. I have been on and off social networks — as if I was punishing the networks — when I got upset with the nature of conversation and interaction that people on the network were having.

The network is inert.

Lately, without wanting to do so, I have been away from the networks. [To be clear, I do not consider WordPress as one of them]. It’s almost impossible to be on a network without taking sides. And if you do not take a side, variants of history’s accusations are hurled at you from all sides. Taking sides is worse; the enslavement is unbearable.

While this phenomenon is obvious and in-your-face on digital social networks, it is not limited to them. Shoot first and ask questions later is becoming the norm. Everyone wants to be the quickest draw in the West. And the East. And the North and the South. Amit referred to it as a left-right mud-slinging contest in a recent Twitter thread. It’s not. It’s fact-slinging. Apparently different types of facts. Alternative facts. Your facts. My facts. True facts. Baseless facts. Useless facts. (Yes, I have read people use these pairs).

We are fast losing the ability to discern between opinions, suggestions, ideas, rhetoric, humour even. All these, and more are being abstracted as statements, open for the rest of us to vilify, mock, abuse, and in general – demean. We do not have the time to pause and refer to context. And even if we had the time, where is the context? In less than three minutes we send eight tweets on seven different themes. How does a reader get the context? When does the reader get context?

There is also the question of the platform. Take Twitter, because I have mentioned it a couple of times now. Most of us readily blame the platform for this phenomenon.

The platform is inert.

It has no means or the capacity or the intelligence to expose us any more than what we publish to the platform. The one thing that it has enabled — is give voice to everyone. In these times when voice is free, there’s a dash to be heard. Me, me, me! But no one listens, because everyone is busy talking. And one thing is clear: mostly, people are angry. And it seems like old anger, one which was voiceless so far. And it has become ugly and rotten.

Unlike the different types of facts, that we believe in, we don’t believe that there are multiple truths. We do not have the patience for any truth to reveal itself. Fleeting gratification appeals to our ever shortening attention spans.

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Jama Masjid, Kalburgai (Gulbarga)

Jama Masjid, Kalburgai (Gulbarga)

All is not lost however, as apocalyptic this post may sound: as long as you curate.

There are many people who are spreading joy (not by mis-attributed feel-good hackneyed cheesy-quotes on mushy-stock-images) but, by just being themselves, sharing life experiences. These are statements in the true sense. They carry with them, no attributes of opinions, suggestions, and such. There is no compulsion to engage. In this case, the consumption is the engagement.

That’s where curation becomes crucial.

This is not to say that we become unaware as citizens and humans. What’s wrong must be righted.

In the real-world. Not on Twitter.

It Ends with You: #ANTHEM 18

Well, it’s not really the end, so to speak. It’s not really the end as much as it is the limit. At least in this song. While the song keeps saying that you are the end – that is not what it means. We are apt to get lost in the literal meaning. And we should be careful. Love knows no end. If it did, it would be so small, so little, so less in meaning – I wouldn’t be love.

17.02.03: For the Love of Red

Living this life that I have lived, I have discovered, it’s not so. Love has limits, ends, boundaries. Unfortunately it has a start and an end, for those who choose to be in love or not. Not for a lover, however; the lover is always in love. You can throw restrictions and strictures at a lover — that person will continue to love, by throwing away the net of conventions.

 

For my readers who do not know Hindi, here’s the translation.

This song states the limit of love; there should be a poetry of how love starts. How it begins. How it is sparked.

That’s just me. But, This song has been on the top of my various playlists. For the first time, it is not the lyrics, but the sense of the song that is making sense. There are people who do not want, necessarily, to be in love. But they need a sense of it.

You can either define limits or you can define love. Not both.

For them, these limits may make sense. For the rest of us..

… ah, well…

It’s Love!

The Man in the Plane

Location: 33K feet above sea level; somewhere over Rajasthan.

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Saw an oldish man taking notes in the flight today (Today is relative; this happened a year ago, 4 Feb, 2016, to be precise).

Two books for reference. And another small notebook, with thoughts perhaps. He had some interesting method of referencing, as he flipped back and forth between the pages of the notebook, he seemed to find exactly what he was looking for.

What is the origin of our questions? Is it how we see ourselves or is it how we see others? How do we know ourselves? As ourselves or as a reference to others? Are these the questions of identity? Of experience? 

There is some romance in the academic rigour, as I’ve experienced it, off late.

3445: Elphinstone College
Everything that we learned in school and college needs to come back.

Fast!

A Vintage Moment

Not this one. This is just a moment in time; now.

Window Frame

In due course, it will be a vintage moment. When something wonderful was thought of and created, even if it was just in the tightly confined vast mindspace unlimited possibility.